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WELCOME TO NATIVE AMERICAN CHILDREN'S LITERATURE SUMMER 2007 BLOG
Tuesday, 26 June 2007
INSTRUCTOR FINAL COURSE REFLECTIONS

Course Strands and Dimensions of Learning

Frances Vitali (June 2007)

Means of interpreting and assessing your achievement will involve Course Strands and Dimensions of Learning.

It is important that you are made aware of the course strands and the five dimensions of learning. This evaluative process provides a framework with which you can see and evaluate your own growth. As learners, you are measuring your own learning, given the strands and dimensions, considering them in relation to your prior learning and what you have achieved during our course.

 

Four major strands of work:

communication, research, technology, and collaboration

 

Five dimensions of learning:

  • confidence and independence
  • knowledge content
  • skills and strategies
  • use of prior and emerging experience
  • reflectiveness (critical awareness)

Final Summary

I tried to create a relaxed yet informative and stimulating environment where students could feel motivated and flexible enough to pursue personal interests within the context of Native American children's Literature. Significant vocabulary such as authenticity, voice (who's going the talking), transparency, acculturation, assimilation, exploitation, appropriation and we should have added racism and stereotypes to the list. We wanted to develop and hone a sharper critical lens through which to look at NA literature. With guest speakers, I relied on them to share different aspects of children's literature-publishers, librarians, and authors.

We wanted to maintain a relaxed ‘kitchen table' feel so we explored resources within our community and students took an active part in this. The class outings were fun to share stories-cultural stories and personal stories for they are synonymous.

Genres were discussed to help understand and to become versed in using the literary terms and references.

The course blog was a way to share course content and resources and begin course dialogue. Email was a communication tool used in between class and individual webpages were a way for students to house their intellectual property and thereby owning it by individualizing it according to their own learning styles. I communicated in between class by providing updates of things to come and shared conversations of guests visitors with class members. I kept students informed also by providing a tentative schedule of class topics. Although we may not have always been on schedule, we accomplished our course goals eventually. Our class was more like living and sharing stories in the moment-trying to keep it a more natural, conversational learning environment. I tried to model for students everything I asked of them and felt I was a participant as well as an instructor.

I drew upon my own experiences at Lake Valley and living in different cultures as a lens to begin dialogue and preparation for this course. I also relied on many outside sources and resources: main campus resources-books and videos from Tireman library as well as from my own collection; Kiva Press and Salina Bookshelf; Sydney at Kids Kollege in applying with Kids Kollege; Harris Richard, Venaya Yazzie, Kathy Hurst, Alice T. George, Flo Trujilo among others in preparation for sessions.  I wanted to keep a journal of our experiences so our Photo Albums and blogs served that purpose. It will be something tangible to refer to later after our course and time together is completed.

( http://kidskollege.tripod.com/storytelling/

and http://kidskollege.tripod.com/nastorytelling/ and and https://brokenflute-unm.tripod.com/shiprock/ and https://brokenflute-unm.tripod.com/superheros/ )

This has been a wonderful opportunity for me to connect with people who I respect, who have expertise and whom I want students to meet because they are special to me. It is like sharing members of my learning community with them. I wanted to have students do more than mere class exercises. I wanted them to experience something meaningful personally and then to be able to share that with others. In this case it was Kids Kollege. Helping students see that stories and storytelling are inherent human traits was important. We all come from stories; we are wired for stories and remain storytelling primates. As Benjamin Whorf said, "Language is the greatest show man puts on." So hopefully we can honor the balance between the written word as well as the oral word. Reading preserves stories but oral language is the primary way we learn language and its development is just as significant as that of the print.

Final Evaluation

This summer course has been a wonderful learning experience with students who were eager, friendly, built a sense of community, who listened to others in conversation and who wanted to learn and be changed in the process. How have you changed is the question I would want to know. How have I changed? I hear your voices and see your faces when I consider a question. I want to know what you would think. "Literature is a map of what it is to be human" Lisa Renner said. Hopefully in my understanding of this course content-wise and through you, the course participants, I can read pieces of the map better in critiquing Native American children's literature as well as multicultural literature in general.

 


Posted by brokenflute-unm at 12:54 PM MDT
Updated: Tuesday, 26 June 2007 1:01 PM MDT
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FILM FESTIVAL FUN!

Dear Festive Film Goers,

Thank you for a fun-filled film festival of our very own. Thank you, Regina, for hosting this event. Sharing House Made of Dawn together was special for everytime we think of the movie or book, it will include memories of all of you.

Recipe as promised:

FOOL's TOFFE (from Holly Smith)

1 cup butter1 cup dark brown sugar

1 package saltine crackers1 bag of chocolate chips

1/2 cup chopped pecans or walnuts (or almonds) 

1. Foil a cookie sheet and spray with Pam. Line with saltines.

2. Blend butter and sugar in a small pan over medium heat.

3. Bring mixture to a boil and cook for 4 minutes.

4. Spread mixture over crackers and place pan in a 375degree oven for 5 minutes.

5. Pour on chocolate chips-spread when softened.

6. Sprinkle with nuts and cool in the fridge. Break into small pieces.

Enjoy!

 


Posted by brokenflute-unm at 9:40 AM MDT
Updated: Tuesday, 26 June 2007 9:43 AM MDT
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Wednesday, 20 June 2007
ILLUSTRATOR FOCUS - ANTHONY CHEE EMERSON

Anthony Chee Emerson's stylized fine art work is becoming more widely known and recognized. Navajo elemental concepts permeate his work and provides a lens to bring meaning to his creative work generated in children's book illustrations: Shiprock Fair , How Rattlesnake Got Its Rattle , My Horse , First Fire ; Posters,  etchings; and collographs .

Emerson Fine Art Gallery is located in downtown Farmington showcasing his  work in addition to that of other artsisans, including friends and family - Betty Begay Emerson, Travis Emerson, and Mamie Deschillie.

A brief biography of Anthony Emerson is included in The Folk Art Paintings of Everyday Life Events of the Diné webpage.


Posted by brokenflute-unm at 2:15 PM MDT
Updated: Wednesday, 20 June 2007 2:20 PM MDT
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Monday, 18 June 2007
AUTHOR FOCUS-Marjorie W. Thomas

Marjorie W. Thomas is the author of several books published by Salina Bookshelf: White Nose the Sheep Dog and What does 'Died' Mean? among others.

Marjorie W. Thomas has degrees in Elementary Education from Northern Arizona University, a masters degree in Educational Leadership from the University of New Mexico, and an honorary doctorate from Diné College. In her role as teacher, bilingual coordinator, principal and administrator on the Navajo Nation, elder Thomas has contributed on many levels to school reform, language and cultural preservation, and community projects (Canku Ota, 2003).

Grandmother Thomas was the inspiration and determination behind the Chinle Annual Grandma Walk-a-thon to raise money for construction of the youth center. Googling Grandmother Thomas’ name revealed almost 80 hits related to her significant work and contributions; some of which are included below.

Language Activist Panel Summary (1995)

http://www.ncela.gwu.edu/pubs/stabilize/iii-families/activists.htm

 

Navajo Language Lives on at Salina Bookshelf

http://www.imdiversity.com/villages/native/arts_culture_media/voa_navajo_bookshelf_0205.asp

 

Red is Beautiful by Roberta John in Indian Country Today

http://www.indiancountry.com/content.cfm?id=1080138562

 

Grandma Thomas Walk-a-thon

http://www.migrations.com/grandmathomas.html

 

Local Chinle Woman Walks into National Spotlight in Gallup Independent (2000)

http://www.gallupindependent.com/1999-2001/10-06-00.html#anchor2

 

Woman Leads Fight Against English Only in Gallup Independent (2000)

http://www.gallupindependent.com/1999-2001/10-11-00.html

 

Canku Ota (2003)

http://www.turtletrack.org/Issues03/Co08092003/CO_08092003_Books.htm

 

International String Figure Association Bulletin (March 2005)

http://www.isfa.org/v11n1.htm

 

 


Posted by brokenflute-unm at 5:55 PM MDT
Updated: Wednesday, 20 June 2007 1:04 PM MDT
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Tuesday, 5 June 2007
June 5 (Andrea Kristina)
Post your Reflections here.

Posted by brokenflute-unm at 9:59 AM MDT
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Culture Defined

CULTURE DEFINITIONS

 

"Culture is a mold in which we are all cast, and it controls our daily lives in many unsuspected ways...that part of human nature which we take for granted-the par we dont't think about, since we assume it is universal or regard it as idiosncratic....Culture hides much more than it reveals, and strangely enough what it hides, it hides most effectively from its own participants"  (Hall, 1990, p. 29).

 

 Hall continues "The ultimate reason for such study [ studying other cultures] is to learn more about how one's own system works. The best reason for exposing oneself to foreign ways is to generate a sense of vitality and awareness-an interst in life which can come only when one lives through the shock of contrast and difference" (Hall, 1990, p. 30)."Culture is communiction and communication is culture" (Hall, 1990, p. 186).Hall, E. (1990). The silent language. New York, NY: Doubleday.

_____________________________

Joseph Abeyta's definition of culture: "A total way of life of a people. The environment in which the people live-their language, their philosophy, their standard of behavior, their beliefs and their aspirations."Our friends-the Navajos: Papers on Navajo culture and life. (1976). Tsaile, AZ: Navajo Community College.
_____________________________

"the everchanging values, traditions, social and political relationships, and worldview created, shared, and transformed by a group of people bound together by a combination of factors that can include a common history, geographic location, language, social class, and religion...culture is complex and intricate; it includes content or product (the what of culture), process (how it is created and transformed), and the agents of culture (who is responsible for creating and changing it)....everyone has a culture because all people participate in the wolrld through social and political relationships informed by history as well as by race, ethnicity, language, socila class, gender, sexual orientation, and other circumstances related to identity and experience."Nieto, S. (1999). The light in their eyes.  New York, NY: Teachers College, p. 48._____________________________

Culture is "the dynamic feature of relationships, of how human beings fill the space between themselves and other people. This space can be filled with basic respect, admiration, playfulness, touching; or it can be filled with disregard, suspicion, anxiety, holding back. It virtually is always filled with language and gesture." Tice, T. (1993). The Education Digest, p. 39—_____________________________

 

“Culture is almost indistinguishable from language” for “language is both a shaper and a reflection of culture and written oral literatures are the primary means by which it does its work.”

 

Walker,J. (1997) That the People Might Live, pp. 12-13.

 _____________________________ 

“Oral traditions have not been static. Their strength lies in their ability to survive through the power of tribal memory and to renew themselves by incorporating new elements” Penny Petrone (Walker, 1997 in That the People Might Live, p. 21).


Posted by brokenflute-unm at 7:37 AM MDT
Updated: Tuesday, 5 June 2007 9:55 AM MDT
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